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Archive for May, 2010

JUST RELEASED: Canon EOS 5D Mark II Firmware Upgrade

A new firmware upgrade for the Canon EOS 5D Mark II was just released. The new firmware is version 2.0.7, and incorporates the following improvements and fixes:

  1. Fixes a phenomenon in which the aperture exhibits abnormal movement when shooting movies in manual exposure mode and Aperture Priority AE (Av mode) using some Canon lenses (such as macro lenses).
  2. Fixes a phenomenon in which the exposure level shown in the LCD panel differs from what is shown in the viewfinder when shooting still images in manual exposure mode.
  3. Fixes a phenomenon in which the Wireless File Transmitter (WFT-E4 or WFT-E4 II) may not automatically power off when used for FTP transfers.

These phenomenon only occur with the Version 2.0.4 and Version 2.0.3 firmware.

The Version 2.0.7 firmware being released this time is for cameras with firmware up to Version 2.0.4. If the camera’s firmware is already Version 2.0.7, it is not necessary to update the firmware.

Click here to download the firmware.

Identifying Used Camera Equipment, Part 2 – More Lenses

Do you have used equipment to sell? Green Mountain Camera is interested in purchasing your used or unused equipment. Find out how to sell your used equipment here.

In this part of our series of identifying used camera equipment we are tackling a topic that will help a lot of confused people–Nikon lenses.

Over the years Nikon has made a lot of lenses. In fact, to date, Nikon has manufactured over 50 million lenses. And, with 50 million lenses floating around out there, we come across a lot of used Nikon glass. Most of the used Nikon lenses we see are “classics”–of the manual focus type, and these come in three main varieties. The three main types of Nikon manual focus lenses are pre-AI (often referred to as non-AI), AI, and AI-S.

This is where most people get confused. What are the differences between a pre-AI, AI, or AI-S Nikon manual focus lens, and how can one tell the difference? Perhaps it is easiest if we first answer the second part of that question. Identifying the difference between the three main types is actually pretty easy, as long as you know what to look for…

Nikon pre-AI LensNikon AI LensNikon AI-S Lens
Can you tell the difference between these three lenses that would make the first pre-AI, the second AI, and the third AI-S? Here’s a tip: focus on the mounts.

Nikon pre-AI Lens

pre-AI

Nikon AI Lens

AI

Nikon AI-S Lens

AI-S

In the above photographs are marked the areas of concern. As you can see, the pre-AI lens has a smooth mount surface. The AI and AI-S lenses have ridges of metal (painted black) sticking out from the lens mounts, and with the AI-S lens there is a small, rounded indentation in the mount. In addition, the smallest aperture number on the lens is always colored orange. You may have also noticed that the pre-AI and AI lenses have a notched piece of metal in the shape of an inverse V adjacent to the mount. Really, that is all there is to identifying the differences between the three types of lenses.

So, now that the differences have been pointed out, what do they do?

Pre-AI lenses where manufactured from 1959 to 1977. The inverse V looking piece of metal on the top is actually the meter prong. This prong mates with compatible cameras, like a Nikon F with Photomic finder, and as the aperture is changed on the lens, the prong “communicates” the aperture setting to the camera. These lenses were never intended to be called pre-AI from the get-go. In fact, they were referred to, simply as, Nikon F lenses. But, once AI lenses were introduced in 1977, this is how these lenses were referred to by people.

It’s probably a good time to note that it is not appropriate to mount pre-AI lenses on Nikon AF camera bodies (including digital, but excluding the D40, D40x, D60, D3000, D5000) as these lenses may damage the cameras.

Auto-Indexing (AI) lenses were introduced in 1977, and have an AI ridge for meter coupling–that ridge is the piece of metal stick off the mounts in the above pictures. Having a ridge instead of a prong for meter coupling makes it quicker and cause for less error to mount and unmount lenses. AI lenses, you will notice above, have a second row of aperture values. These values (also called Aperture Direct Readout) can be seen in the viewfinder of compatible cameras, so you know what aperture is being used without taking your eye away from the finder. Nikon began multicoating lenses in 1975, so these lenses are almost all multicoated. Also, Nikon continued to add the metering prong to many of these lenses to maintain meter coupling with older camera models.

Unlike pre-AI lenses, AI lenses are compatible with almost all Nikon camera bodies after 1977, except for a few of the cheaper AF camera bodies. Also, it is interesting to note, Nikon offered AI conversions for pre-AI lenses. These converted lenses look very similar to AI lenses, and most people can’t tell the difference and often refer to them as AI lenses, instead of AI’d (AI’d is the appropriate term). There are also many do-it-yourself lenses out there where individuals converted the lenses themselves. We have even seen lenses where someone super-glued a little plastic tab in the right spot on the aperture dial to couple the meter correctly.

In 1981 Nikon introduce auto-index shutter (AI-S) lenses. These lenses have the small indentation in the mount of AI-S lenses as seen in the above pictures, and this indentation serves the purpose of indicating that a lens with a linear action diaphragm is mounted. The Nikon FA was the first camera to use this information, and that happened back in 1983. It is interesting to know that no current production cameras use this information. AI-S lenses do feature modifications to allow for more accurate shutter priority and programmed exposures, but only when used with a compatible camera body. Also, AI-S lenses are typically lighter and smaller than the AI or pre-AI lenses. Many individuals attribute this to Nikon’s motivation to cut costs rather than innovative construction materials. AI-S mounts typically feature 3 screws rather than 5 (see above pictures).

This concludes the second part of our series about identifying used equipment. In our next post we will talk about identifying cameras. As there a many different types of cameras, and hundreds of manufacturers, we’ll discuss the main camera types like SLR, rangefinder, etc., rather than more specific things like identifying different Leica rangefinders (IIIb vs. IIIf for example).

Do you have used equipment to sell? Green Mountain Camera is interested in purchasing your used or unused equipment. Find out how to sell your used equipment here.

Macro on the Cheap–Why Not?

If you are interested in this item, you can find it here. We have it for several different camera mounts, too.

Macro lenses are great, and for many reasons. One of the reasons macro lenses are not great, however, is the price. Dedicated macro lenses are typically expensive. Sigma has some very good, very reasonably priced macros, like the 70mm f/2.8, but that lens is still $500. Zeiss makes an incredible macro, the 100mm f/2, but that bad boy is $1800. So, what are you to do if you want to get close but don’t have the budget of a Wall Street banker?

Here’s a good question: Can you afford $9.50? For close-up photography? Of course you can. If you are into photography and are, or are getting, into macro work, you have most likely heard of extension tubes. And, like dedicated macro lenses, there is a lot variety out there for extension tubes. The cheapest ones we have found (that actually work) are $9.50. Yep, that’s right…The price for two gallons of milk. Check it out:

Canon EOS Macro Extension Tube

An extension tube works by increasing the distance of the lens to the camera body. Think of a projector. When you are looking at a slide, sorry, digital projector being displayed on a wall, and you move the projector back from the wall, the projected image gets larger. The same idea applies to extension tubes. Move the lens farther from the camera body and the projected image on the camera’s film, sorry, sensor gets larger. This metal-construction extension tube is made into sections, like this:

Canon EOS Extension Tube Disassembled

The different sections screw together and can be used in any combination to increase or decrease magnification. This extension tube is intended for Canon EOS mount lenses and cameras. It is made up of a lens mount, a camera mount, and three sections of varying sizes. Are you wondering if adapter tubes really work? Check it out:

Canon EF 24-105mm f/4L IS USM Lens No Extension

Canon EF 24-105mm f/4L IS USM Lens, No Extension

Same Lens, Same Focal Length (105mm), Lens and Camera Mount of Extension Tube Only

Same as above, smallest extension ring added

Same As Above, Smallest Extension Ring Added

Small and Medium Extension Rings

Small and Medium Extension Rings

The Entire Extension Tube

The Entire Extension Tube

So, an extension tube really works. For $9.50, why not? Well, there are a couple of things you should know before jumping both feet in. The first, nothing is auto. Autofocus cannot work, auto modes cannot work, and the metering cannot work. In addition, the aperture cannot be stopped down, so if you have a lens (like Canon EOS) that does not have a manual aperture ring that can stop down the aperture, you are forced to use the lens wide open. And, with macro work, that means your depth-of-field is tiny. Also, extension tubes, because you are increasing the distance of the lens to the camera body, decrease the intensity of light falling on the camera’s film, sorry, sensor. This means slow shutter speeds become a common reality.

All of the above mentioned things will be solved by using a dedicated macro lens. There are also some expensive extension tubes that will solve some of those problems–aperture control, autofocus, etc.. But, for $9.50, or 1/100th of the cost for some dedicated macro lenses, why not?

If you are interested in this item, you can find it here. We have it for several different camera mounts, too.

NEW: Leica Summilux-M 35mm f/1.4 ASPH. Lens

Interested in this lens? Check it out here, and contact us for pre-orders! First deliveries are expected in July.

Announcement copied from Leica:

Leica Camera presents a new member to the M-Lens family – the Leica Summilux-M 35mm/f1.4 ASPH. In the M-System, the 35 mm lenses are the most popular . The combination of moderate wide angle characteristics paired with natural dimensions makes this focal length versatile.
The optical design of the Leica Summilux-M 35mm/f1.4 ASPH has been optimised for the use with either the digital Leica M cameras or the traditional analogue cameras for stunning results. In particular, this lens shows its full potential with the Leica M9.

The Leica Summilux-M 35 mm/f1.4 ASPH is equipped with a Floating Element, which keeps the outstanding imaging performance at a very high level even at close focusing distance. The new patented, rectangular, full-metal lens hood makes the lens more compact than its predecessor.

The advantages of the Leica Summilux-M are:
• Outstanding imaging performance even at full open aperture throughout the full focusing range from infinity down to 28.
• Selective sharpness ability for creative photography due to the large maximum aperture of F1.4.
• Very good supppression of stray light and reflexes for high-contrast pictures even in back light situations.
• Very good visibility through the viewfinder due to compact dimensions.
• High quality, all-metal lens hood.
• 3-years passport warranty.

NEW: Leica Summilux-M 35mm f/1.4 ASPH. Lens

Interested in this lens? Check it out here, and contact us for pre-orders! First deliveries are expected in July.

Identifying Used Camera Equipment, Part 1 – Lenses

In this post we talk about the three main things to look for to help identify a lens.

Read more

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